Brain-friendly Teaching in Practice: Nick Bilbrough Introduces Memory Activities for Language Learning

Memory, or rather its quirks and limitations, in language education is sometimes like the weather in that old joke: everyone talks about it but no one does anything about it. Yet memory limitations affect every aspect of what we as teachers and programs are trying to do. In the last few years, “brain-friendly” teaching, “brain-targeted” teaching and “neuroscience-informed” teaching have all been tossed around. In this blog, I’ve covered several books that deal with this (here, here, and here, for example). There are programs and resource sites like the Neuro Education Initiative at John Hopkins University, The NeuroLeadership Institute (associated with author  David Rock), USC’s Brain and Creativity Institute,  Harvard’s Mind / Brain / Behavior initiative, and an Annenberg Learner Resource called Neuroscience and the Classroom.  But none of these are by or for language teachers specifically. I’m sure there are  teachers who putting all this new knowledge to good practical use in the classroom, and I’m equally sure that much of what is being sold as “brain friendly” is what has always been done by good teachers anyway. But if you visit a lot of language classrooms, you might be amazed at how brain unfriendly some are.

In my job as a teacher trainer, I just don’t see all that many approaches and activities that show an appreciation for the finickiness of human memory. There are, as I see it, two possible reasons for this. One–a failure to take note of the mountain of research and how it sometimes screams out the need for pedagogical change–I would like to lay squarely at the feet of language teachers and language teaching programs. The other–a general lack of published materials and accepted classroom techniques–has and continues to be a problem; but Nick Bilbrough’s 2011 book Memory Activities for Classroom Learning begins to correct this problem. Much of what has worked in language classrooms over the years has done so because it has been sensitive to the cognitive limitations of learners and has leveraged the affective and social elements of content and classrooms. What is needed is a new lens, a new way of interpreting  successful activities that will inform the selection of activities in a task sequence or syllabus. That’s what this book does.

 

Memory research has advanced greatly in the past few years and Mr. Bilbrough does a good job of summing up and presenting what you need to know in short executive summaries at the beginning of each unit. If you don’t know why Ebbinghaus, or Craik & Lockhart, or Sweller are important for  your job, or  if the terms phonological loop, visio-spatial sketchpad, and episodic buffer don’t mean much to you, this book will provide a good introduction. And if you are familiar with all these, you’ll find the way Mr. Bilbrough turns this theory into actual classroom activities very interesting. It is my belief that even if you don’t use any of the ready-made activities directly from the book (most of which are very well-chosen by the way), your perspective on your own approach in your classes will change. Because once we start to think of why some things are better held in working memory or why some things are more likely to be stored in long-term memory, we’ll naturally feel the need to adjust our explanations, our pace and timing and selection of activities. Learners and teachers both want variety in lessons; but they both also want to see learning happening. This book will help you understand and apply some ideas for making things easier for learners to remember, which means easier to learn.

I think Mr. Bilbrough has done a very nice job identifying the key points connected to memory and how it affects the learner and the classroom. If you look at his unit headings, I think you will agree. There is enough flexibility here in the topics covered to meet the needs of teachers who are wedded to textbooks and those who use a more Dogme-ish approach.

  1. Mental Stretching
  2. Making Language Memorable
  3. Retrieving
  4. Repeating and Reactivating
  5. Memory Techniques and Mnemonics
  6. Learning By Heart
  7. Memory Games

This book is a nice start. I think that Cambridge may want to revisit many of the wonderful old books in the Handbooks for Language Teachers series and reorganize some of the content in line with more recent research and pedagogy. Books on affect , arts integration, skill mastery and transfer,  learning environments, challenge, fun, formative assessment, etc. are all needed. But for the time being, Memory Activities for Language Learning is a step in the right direction. And if I may be permitted to expand on my suggestion a little, a little more attention to relevant research would be a good idea, I think. One problem with this book is its sporadic use of citations. Some areas provide good references, others are devoid of references, and at least one reference is kind of puzzling. I love Chip and Dan Heath’s books, but calling them “educational psychologists” gives them more academic gravitas than they warrant. Teachers who are interested in finding out more about research and findings in memory will get precious little help from this volume beyond those good unit introductions to the basics, I’m afraid. The choice of online resources is also disappointingly limited.

But these criticisms are very minor. I highly recommend this book. Every language teacher should read the chapter intros and browse through the extensive list of suggested activities.

A year ago I wrote this post on working memory that you may find interesting if you are looking to further explore the topic of memory and learning.

 

EFL Gamification 6: ARGs

This is the 6th post in a series exploring the use of gamification (to use the buzzword) or gameful design (to more accurately represent my intentions) in the teaching of English as a foreign language, particularly in secondary school settings. Earlier posts  dealt with (1) motivation, (2) habits, (3) mechanics, (4) pitfalls and misunderstandings, and (5) turning your course into a game. This post will look at ARGs, or Alternate Reality Games, and for a definition I’d like to turn to Whitton & Moseley from their 2012 book, Using Games to Enhance Learning and Teaching, the best resource I’ve found for designing this type of game activity:

“ARGs use narrative, community and problem-solving in a game that unfolds over weeks and months, combining the real and virtual worlds. The players work together to solve the puzzles and develop the story themselves through [the interaction with and/or] the creation of artifacts, both digital and real world, and the mythologies that surround the game” (pg. 143).

ARGs are often interactive narratives in the form of a mystery/treasure hunt (see National Treasure or The Da Vinci Code if you are somehow unfamiliar with the genre) and players work together to unravel  clues or collect items. The AR part is that the story is just a story, while the clues are placed in the real world in the form of e-mails, websites, letters, maps, audio tapes, graffiti, or just about anything that can convey information. In the book, Ms. Whitton discusses what ARGs are and  how to set one up, and mentions several examples. She  describes her involvement with the ARGOSI project, the design and creation of an ARG at a UK university. The purpose was to help new students get used to an unfamiliar new city, the campus, and the library system. In terms of process, they first decided on the learning outcomes they wanted to aim for and considered the limitations they had to work with (time, money, etc.); then they drew up the initial concept for the game and sketched out a narrative; next they designed the challenges (puzzles) and created the artifacts (letters, maps, etc.). In some ways, the process is similar to Jane McGonigal’s SuperBetter (covered in this earlier post–you’ll need to scroll down a little). Both are organized by narrative. If you have a gripping story, the rest should flow along. For SuperBetter, the story was personal recovery. It is obviously important to the player. For an ARG, the artifacts (and how they fit in the story) will probably be key.

And for language learning, the artifacts are what you’ll be directing your learners towards and so you’ll need to ask yourself a few questions as you plan and create them:

  1. Are they intrinsically interesting? Do they have good ‘face validity’? Do they fit with your narrative?
  2. Are they accessible/doable for your learners in terms of level?
  3. Is feedback built into each task so learners know when they are successful?
  4. Are they in the right mode (reading, listening) for the skills you want learners to practice?
  5. Are they accessible to learners inside and outside of class (web-based, snail-mailed, copied)?
  6. Will interaction with them result in learning? How? And how will you know?
  7. Where will learners interact with artifacts? Will it be homework or group exploration and/or discussion in class?
If we think about the content we need students to learn, it shouldn’t be hard to design the artifacts. You can use textbook language (or even the textbook itself) for puzzles. You can make recordings on cassette tapes  to make clues seem quaint or dated (and so students need to use school players!), and you can create letters and websites using target language that students will need to read and re-read. The only limitations are your creativity and the amount of time you can dedicate to the project. For the sake of keeping appearances real, it will really help if you have a graphics designer or some graphic design skills yourself. But with a few tools (MS Word, for word processing and image processing, Audacity for sound recording and editing, WordPress.org, Edublogs.org or some other blogging service), you should be able to make most of the artifacts you want. Ms. Whitton’s team based their story on the blog of a fictional character. The other artifacts they made and used are available from the ARGOSI website (click the Resources tab). And you can see the blog and game itself at violaquest.org (if/when it is available again–it wasn’t at the time of writing). Other ARGs can also be found online and they may provide you with some ideas for creating your own. One similar to the ARGOSI project, Who Is Herring Hale?, is presented as a case study here. And another ARG, created to raise money for cancer research, can be found here. For something more language-focused, please take a look at the work of Paul Driver, an educational designer based in Portugal. At his website you can find information about his Spywalk game and other “location-based urban games.” There are links to academic presentations and articles and Youtube videos showing the game in action.

 

An important point to consider is learning outcomes. The ARGOSI project had a fairly short and straightforward list. The designers wanted the new students to learn a little more about Manchester and how to use the university library. As a language teacher, you’ll need to decide where to put your focus. ARGs are probably best for introducing learners to content or behaviors. In order to maintain the illusion, novelty and fun of the game, you can’t really add drills or require repetitions of behavior, though if you get the challenge level right, you can get learners to repeatedly interact with the text. In contrast with a game like SuperBetter which could be used to establish positive learning habits, an ARG might best be used to have learners explore resources and language. Of course, you could in your design of artifacts steer learners to all sorts of practice–intensive listening or reading, skimming or scanning, dealing with different accents or genres, etc.). How you design the artifacts and how learners will interact with them in the game are really crucial for pedagogic success. This is especially tricky given that you are trying to balance the narrative and fun with the pedagogy. It all comes down to design in the end. Without a clever story and appropriate-challenge-level artifacts, the game won’t fly; without pedagogically sound tasks with appropriate language level/skill focus/strategy focus, the game won’t teach.

 

To finish here, I’d like to add a few cautionary words (summarizing from Ms. Whitton’s unit on ARGs from her book). You really need to test out your games. Get feedback from everyone you can and plan on tweaking it for all eternity. You also need to have realistic expectations. All of the ARGs mentioned above–funded, backed by unis, and made by teams of talented professionals–were underutilized (to be polite). The Herring Hale game saw only 42 people play even one task and only 12 participants finish the game. Violaquest was similarly ignored en masse. As a teacher you have a captive audience. You’ll likely need to build participation into your course instead of relying on the Field of Dreams approach (if you build it, they will come). That said, one of the most successful (highly rated and attempted by the largest numbers of people) activities/tasks were those that were designed for action–planning and taking pictures and uploading them, for example. These tasks drew more interest, engaged more participants, and got them to collaborate and share more. Make sure you include some of these; don’t just make your ARG a series of puzzles. This may beg the question of whether you want to aim for more of a game with project-based elements or project-based activities with more game-like elements…

 

This leads to the final question of whether it is worth it. If done right, I guarantee  you’ll give your learners an education experience they’ll never forget. But it’ll cost ya. It will take a lot of planning and production time.

 

Also in this EFL gamification series:

Part 1: Intrinsic and Extrinsic Rewards

Part 2: Triggers, Ability, and Motivation

Part 3: Mechanics

Part 4: The Downside and How to Avoid It

Part 5: The Whole Hog

 

Photo Credit: Detail from Look at the Map, or Play Some Checkers by Dr. Roy Winkelman,  at http://etc.usf.edu/clippix/picture/look-at-the-map-or-play-some-checkers.html

EFL Gamification 5: The Whole Hog?


This is the fifth post on gamification in EFL. The first was an attempt to understand motivation. The second considered changing specific behaviors. The third looked at mechanics, or the structure needed to make game-based learning engaging. The fourth was about some of the problems that can happen when gamification (especially just pointsification–the casual addition of points and other game elements) is put to use for manipulative purposes without enough attention to the underlying motivations and personalities of learners. This post will look at  turning your whole class into a game, or put more metaphorically, going the whole hog. There are really two ways of doing this. One is to design the course as a simulation. That means to create an immersive and realistic environment that requires learners to play a role. It  is a kind of extreme content-based form of learning and requires considerable flexibility with curriculum content and probably works best if you are aiming learners at a specific career. An example might be simulating planning and opening a store for business students. The instructor would then need to create all the websites, documents, etc. needed to support the simulation. The second, and the one I’ll focus on in this post, involves re-imagining the present content using a role-playing game structure. Traditional content (including textbooks and teaching modules) are used, but a wider variety of tasks and assignments are used. Game genre details and a  narrative structure are employed to make the progression through the material seem more like a game. This is more possible in institutional EFL courses, but still comes with a few conditions, the first being your familiarity with the genre of games.

Are you a gamer? I’m not talking about a little Angry Birds while commuting. I mean, have you spent huge blocks of your life immersed in World of Warcraft or Halo or The Sims or one of the many other places/pastimes where gamers spend time? Ask yourself how much you know about games and how much you really play. If you play 13 hours a week, you can consider yourself only an average member of the gamer sector of society; if you are up to 20 hours a week, you are officially “hard-core”; and if you can somehow cut your working, sleeping, and social hours down far enough to manage 45 hours a week, you are (by any account) “extreme”  (McGonigal, 2011, p. 3). Of course, you don’t need to be a fanatic about games to turn your classroom into a game, but you do need a certain amount of familiarity with the genre. You will need rather intimate knowledge of the structure and pacing of games–the way items are acquired, the way quests go down, the types of challenges, the way characters interact, the reward systems, etc.–and you will need to be able to retool your classroom and syllabus in a way that mimics this. You will need to know the lingo: guilds, raids, wipes, (point) farming, experience points (XP), etc.  Unsure of yourself? Back away from this idea now. But if you are a gamer and game lover, it is an option to embrace whole hoggedly. I speak as a researcher/observer here. I have not done this myself and so I will be only reporting on what I have read, pointing you to other sources and egging you to go out there and give it your best shot if you are interested.

There is, admittedly, something of a square peg in a round hole fit when taking the immersive multimedia world of a game and using it for a brick ‘n mortar face-to-face classroom. First of all, students are not sitting at computers interacting with audio/visual/narratives made by teams of talented professionals with an average production cost of $10 million (Whitton, 2010, in Using Games to Enhance Learning and Teaching). But if everyone is up for a bit of pretending, or suspension of disbelief, it can go well. Both Jane McGonigal in Reality is Broken, and Lee Sheldon in The Multiplayer Classroom believe that game culture is second nature for the students in our classes. They have grown up playing games and are very comfortable with the way games engineer player progression. Ms. McGonigal states that the members of the gamer generation have more problems with reality–including most school work–because it lacks interesting challenge, the satisfying work, promise of success, and actionable feedback that is usually the norm. In other words, most courses aren’t engaging for many learners and they are likely to be up for a change. Or as Mr. Sheldon optimistically puts it, “we have yet to discover a class that cannot be taught in this way” [as a game] (pg. 9).

Mr. Sheldon’s book is the best resource I’ve been able to find for designing coursework as a game. Indeed, that is the sub-title of the book. In addition to being a trial-and-error account of his attempts to do this with his own university game design courses, the book contains several case studies by different teachers, the closest one among them to a high school language course was Denishia Buchanan’s  high school biology class. If you really have no idea where to begin, this book and in particular Ms. Buchanan’s case history, will help you out.

Mr. Sheldon will help you understand basic class organization and his unique (to the world of institutionalized education) approach to grading. By setting up coursework as a series of group and individual challenges and by creating a point system where students start with “0” and have to climb up through the levels towards their final grades, he manages (albeit not without a lot of tweaking) to make a grading system that mimics that of game progression.

In addition to just renaming groups as guilds and assignment as quests, both these teachers managed to make use of narrative to envelope the course and allowed learners considerable choice and flexibility. Narrative pulls the players/learners forward, making the course a story–their story; it creates in learners the desire to achieve hero goals; and it keeps everyone looking forward to what will happen next (Dansky, 2007). For this to work, however, there must be challenging but achievable things to do. Adoption of an inquiry-based curriculum that provides both variety and flexibility and lets the learners put their creativity to work seems a prerequisite. The balance, however,  of choice and rigorous requirements seems to be a tricky one to manage (Whitton, 2012).

And even if you get that right, you’ll need to spend some time designing to facilitate greater interaction. Though it is often touted as a great feature of online games, the  forming of groups to combine strengths to overcome particularly difficult challenges is not as common as game proponents might suggest. Ducheneaut (2006) studied World of Warcraft and found that players only begin to start grouping at the latter stages of game play at higher levels of the game, after they have found what they cannot do alone. That means that you can’t expect learners to collaborate on their own; you’ll have to design your activities so that group sharing is facilitated. Mr. Sheldon, for example, required both individual and group assignments during his courses, a practical way of ensuring both accountability and collaboration.

But finally, even if you get everything right, you still might not make everyone happy. There is considerable research that suggests that not all students like to experience courses as games, especially as one of those role-playing types of games that can can sound so hokey to the non-fan (Bekebrede et al., 2011).

Well, there you go. It’s obviously a challenge. It’ll take a lot of time to design all the quests and restructure the flow of lessons. But reading the stories of teachers who have done it can help you see the attraction of going whole hog with turning your course into a game. If you think you might like a little help with creating the structure and rule details, there is now a web service to help you. Called World of Classcraft, it provides roles, progressions, and rules of acquiring experience points or taking damage hit points.

And finally, you can read about an attempt to turn a language course into a large-scale alternate reality game (ARG) in Europe in Connolly, Stansfield, and Hainey (2011) linked below.

June 2013 Update: I recently came across a blog post from a teacher who had tried to gamify her class (as in turn the classroom experience into something closer to that of a game). Titled How I Turned My Classroom into a ‘Living Video Game’ and Saw Achievement Soar, the post explains (frustratingly) briefly how Ms Joli Barker, a second year elementary school teacher used technology (Skype, QR codes, GoAnimate, Voki, and Xtranormal), project-based learning narratives (?), and some  international exchanges to boost the scores of her students quite dramatically. She created a  basic structure of tasks and levels, challenges, and avatars, and re-tooled her assessment in a way that matches video games (similar to Mr. Sheldon). Without a little more detail, it is hard to picture what classes were really like, but the idea is very interesting and the results impressive.

Another June, 2013 update: Here is a geography class taught as a zombie survival game.

 

Bekebede, G., Warmelink, H., and Mayer, I. (2011). Reviewing the need for gaming in education to accommodate the net generation. Computers & Education, 57/2, 1521-1529.

Connolly, T. M., Stansfield, M., & Hainey, T. (2011). An alternate reality game for language learning: ARGuing for multilingual motivation. Computers & Education, 57(1), 1389-1415. doi:10.1016/j.compedu.2011.01.009

Dansky, R. (2007). Introduction to game narrative. In C.M. Bateman (ed.) Game writing: Narrative skills for video games. Boston, MA: Charles River Media.

Whitton, N. (2012). Good game design is good learning design. In N. Whitton and A. Moseley (eds.) Using games to enhance learning and teaching. New York: Routledge.

 

Also in this EFL gamification series:

Part 1: Intrinsic and Extrinsic Rewards

Part 2: Triggers, Ability, and Motivation

Part 3: Mechanics

Part 4: The Downside and How to Avoid It

Part 6: ARGs

 

Are MOOCs Disruptive? They Are Where I Live

A recent post in the Mind/Shift blog on the dismal completion rates of MOOCs ends with the question of whether or not they are disruptive. For education policy people and trend-watchers this seems to be an important question. But as the article states, and as a little consideration suggests, completion rates may not be the most important thing to think about. I think their very existence is indicative of their disruptive status. From the perspective of an EFL teacher trainer in Japan–and I’m guessing I can speak for many people throughout the world hungry for better-quality education in English–MOOCs are a very significant development.

People in North America (where I hail from) may not be conscious of a few things that we expat English teachers have been noticing for years. The world is getting smaller is one way to describe this major sea change over the last two decades. I can divide my 26 years in Japan into roughly two periods: the age before and after the Internet became available. Yes, before the Internet arrived, I had access to three English newspapers, a dozen or so magazines, lots of  movies, and even taped US television–all of which were precious resources we used to build lesson activities with authentic English. But now, everything seems to be available, only a few clicks away. The problem these days though, is that content is not organized and is often not accessible as it is for people from other cultures or with less-than-native English proficiency. In countries like Japan and China, there are large domestic populations and armies of translators and local businesses all too willing to repackage and charge locals for more comprehensive packages of content. This has often created an artificial barrier to access on of content on the web by individuals.

At the same time, however, it has become easier and more common to travel and study abroad and meet and interact with people from other cultures, both in foreign countries and in Japan. Inbound tourism, mostly a collection of international businessmen and their families twenty years ago, has become more frequent and more diverse. What I want to say is, everyone is aware that the world is getting smaller and will continue to do so in the future. They’re just not sure what to do about it exactly.

What does this have to do with MOOCs? Well, the availability and institutional trust value of schools offering MOOCs means a great deal to a great many people in various corners of the world. Anyone can go on the web and practice writing, but a comprehensive course offered, for example, by Duke University is a completely different thing. MOOCs give access to higher education opportunities that can be trusted to people who normally couldn’t or wouldn’t access such opportunities. And what about completion rates? I just don’t see that as an issue. Many people are trying this system out, taking a few cars for a test drive as it were. They are testing both the courses and themselves and getting a better idea of how the combination of these can work. Schools are becoming more sensitive to the needs of such learners, too. That writing course I mentioned is a relatively recent addition to the catalog and obviously aimed at entry-level students.

The signs I see mostly point to positive improvements. The screenshot above is from Coursera‘s website. More courses in more languages, and the option to get real credit for your work. I think we are moving into a new phase here. I regularly recommend courses to friends, colleagues, and students here in Japan, regardless of their nationality. Not taking advantage of these courses is criminally stupid in my opinion, even if that means just watching the videos and lurking around a little. There is much to learn in many different ways. If you haven’t tried it yet, please go to the website and take a look at the offerings. I guarantee you’ll find something that interests you.

Recently, some courses have begun to offer Signature Track registration. It’s a paid service that allows you to experience courses in a way that allows you to earn a verifiable certificate. It seems MOOCs are moving toward a more standard e-learning model. I’m not sure if this is good or bad, but completely free MOOCs may be on their way out. Get ’em while you can.

May 1, 2013 Update: Here is a nice blog article with current stats and comments on MOOC users.

 

Photo credits: Top, screengrab from NASA video (http://apod.nasa.gov/apod/ap130331.html ); Bottom two from Coursera’s website (https://www.coursera.org/ )